Jake Gyllenhaal doing too much, the film’s consistently dour tone, Denis Villeneuve’s skills, Hugh Jackman yelling, and James explains the »
Alex writes a belated appreciation of Michael Douglas and Annette Bening. »
John Carpenter’s use of POV shots, the film’s use of the colour blue, the movie’s take on paranoia, and Kurt »
The movie’s Ansel Elgort problem, editing a film before you shoot it, the use of iPods, and how the film »
Alex compares Lorde’s slightly older music to Lorde’s new music. »
Alex writes about the fervour over Lizzy Goodman’s Meet Me in the Bathroom. »
Sidney Lumet’s close quarters filmmaking, Henry Fonda’s star image, Jack Warden, and the way the film portrays the justice system. »
Alex writes about Unbreakable Kimmy Schmidt and (for some reason) the long-defunct program Enlightened. »
The way the film depicts anonymity and the internet, as well as how plays with monster and disaster movie conventions. »
David Michod’s first foray into satire, Brad Pitt’s very specific type of performance, and Netflix and what the closing of »
