Alex writes an appreciation of basketball writer Zach Lowe and discusses objectivity in sport.<\/em><\/p>\n When something monumental happens, it is natural to clamour for a voice you trust to decipher said event for you. You want to run this moment through a filter that you trust, hoping the filter can sort the flecks of gold from the covering of sand and dirt. This is why people say, \u201cHey can we go for coffee I want to talk about something,\u201d which is something I have been told normal people do.<\/p>\n I do not feel that way about my own life. What you\u2019re reading is my equivalent of going for coffee, and it just so happens to eliminate the middleman (or middlewoman! or middle gender non-binary individual!) of dealing with another human being. That is not to say there are no trusted voices in my life, because I am in fact a man (or woman! or gender non-binary individual!) and everybody needs somebody. Those somebodies have lives though, so sometimes an individual I don\u2019t technically know will have to suffice.<\/p>\n This case is sort of different because there are writers I can name whose actual work I appreciate more than the writer in question. Nobody will ever unseat my numero uno, somebody who has had such a strong influence on myself that I refuse to mention his name for fear of making my stylistic plagiarism immediately obvious. It seems hard to imagine me liking any novel more than I like Cormac McCarthy\u2019s Blood Meridian, although The Moviegoer by Walker Percy comes close. As a white male who was alive for the entirety of the 1990s, I am legally obligated to mention my appreciation of David Foster Wallace, so this is me doing that. Sarah Vowell has made me chuckle more times than a lot of people who are actual friends, and I love David Shields to a point where I have no idea how to direct a person who wants to read only one of his books. (Probably Black Planet. Anybody with a passing interest in sports should read Black Planet.)<\/p>\n These writers are all stylistic masters, because often I prefer style over substance so that I can wade through the swamp and pick what I want to keep with me. The writer in question today, though, is somebody who wouldn\u2019t write this preamble, a writer who would throw one Seinfeld reference in his column and then keep it moving. That would be basketball writer Zach Lowe.<\/p>\n <\/a><\/p>\n The basis of me beginning to read Lowe\u2019s work is simple. Grantland positioned him as their basketball Bill Barnwell when Lowe started at the site in 2012, somebody willing to put in a lot of work and a lot of words to explain things to people like me. I had been obsessed with the sport for 10 plus years before I read Lowe\u2019s work, and I felt I had a good feel for the game and player tendencies, but reading Lowe taught me stuff that coaches and players actually think about, a feeling that has only increased as time has passed and the contact list in Lowe\u2019s iPhone has become more robust. As Grantland shuttered and Lowe started publishing under ESPN proper, the fact that there was a Grantland writer working on pieces that looked like remnants of Grantland can only have helped me appreciate his work more.<\/p>\n Basketball is typically an easy to digest sport for the non-sports fan. Invariably, whenever I start dating somebody new, the easiest sport to get them to watch with me is basketball. It is (typically) faster paced than any of the other North American big five sports, and the basic parameters are simple to explain. This team shoots at this hoop, the other team tries to stop them, and this matchup happens somewhere in the vicinity of 164 times a game. Basketball also happens to be the sport where you are most likely to see something that appears truly superhuman, an athletic maneuver that looks like something a human being should not have the capacity to pull off. There are fantastic displays of skill in all sports at this level, but people like Russell Westbrook and LeBron James only exist in basketball*. This is what drew me to the game circa 2000 (specifically Vince Carter\u2019s athleticism and unusual method of holding a ball like a pea an arm\u2019s length behind him), but as with anything I become obsessed with, I wanted to learn more about the particulars. And for a full decade I found myself having a hard time finding a voice for such explanations. As I grew more interested in the game as opposed to a specific team, this became more of a problem. I can\u2019t say I knew I wanted such a voice, but as with most things involving Lowe, I didn\u2019t know this was something I wanted to learn until I did.<\/p>\n *I\u2019m happy to listen to an argument that says similar things about NFL wide receivers \u2013 see Julio Jones\u2019 fourth quarter toe tapping in Super Bowl 53 for an example \u2013 but even the best wide receiver is only meaningfully involved in 10 plays a game.<\/em><\/p>\n <\/a><\/p>\n One who has listened to and\/or read a lot of Lowe knows the man was once a teacher, and the instructional way he describes basketball plays leads me to believe he was probably pretty good at it. I\u2019m even more confident that he was a good court\/police journalist in Stamford, seemingly his last pre-basketball employment, as Lowe is a man who thoroughly believes in both objectivity and effective sourcing. With my limited research here (there is not much to read about Lowe online, which I\u2019m sure is what he prefers), the Henry Abbott-led Celtics blog Lowe wrote for got him hired at Sports Illustrated, which eventually lead to him joining Grantland.<\/p>\n My recollection of following Lowe is that I didn\u2019t initially read everything he would publish on Grantland \u2013 I still don\u2019t, but the fact that I recently read a piece on the Chicago Bulls\u2019 current roster, a team I don\u2019t care about that will probably be terrible this year, shows that at least I read most \u2013 and when his podcast The Lowe Post first started being released I surely did not listen to every episode. I no longer feel that way. I will listen to every episode, even if the guest is somebody who insufferably attempts to sound smart by saying \u201cpragmatic\u201d and \u201costensibly\u201d fourteen times over the course of the hour. Lowe\u2019s thoughts are worth it. This seems impressive to me, especially given that at this point I listen to maybe one podcast a week.<\/p>\n A year or so ago, for no specific reason, I (mostly) stopped listening to podcasts. Since 2010, I had been racking up listens, hungry for the opinions of others, but by 2017 I started to worry I was consuming so much thought that I didn\u2019t leave room for my own. I went back to the old faithful of listening to music \u2013 a way to hear the thoughts of others without necessarily being told, \u201chere\u2019s what I think about this subject.\u201d Listening to Josh Homme sing about drug abuse is a different experience than having Brooke Gladstone tell me what Trump is saying about the media this week, the former being one that leaves room for more thoughts of my own. Podcasts that were once must-listen became something I have almost entirely forgotten about. I remain undecided on whether or not this is positive growth or hiding from certain truths of reality, but I know the fact that Lowe\u2019s podcast is the only one I still listen to every episode of probably means something.<\/p>\n <\/a><\/p>\n Last weekend I saw Eighth Grade for the first time, and it was pretty fucking great. Director Bo Burnham had somehow made a teen film feel like a Coen Brothers movie, and star Elsie Fisher was beyond stellar. I had a hard time piecing together why I liked the film so much, and the person I saw the movie with seemed to be able to see that on my face. After we went our separate ways, I sat on a stoop simply to sit for a few minutes and ponder what I had watched. Eventually, I got up, and I kept it moving.<\/p>\n On our podcast*, I have said many times that the best kind of movie is one that you figure out on the walk home. Hail Ceasar is a notable recent instance of this feeling, leading to the Coen comparison above (although Eighth Grade reminded me more of Inside Llewyn Davis), and similarly to that film I pieced together my thoughts on Eighth Grade while traveling home. This was a film that didn\u2019t describe how I recall feeling at that specific time of my life \u2013 I was awkward, but pretty comfortable and self-aware of said awkwardness and how to (mostly) rein it in while in public \u2013 but it still resonated. Listening to an interview with Burnham on the process of writing the film, things became clearer.<\/p>\n *Now titled \u201cSomething of a Paradox.\u201d<\/em><\/p>\n \u201cI kind of really just wanted to make a movie about now.\u201d Burnham told Sean Fennessey<\/a>, in a conversation that also included Elsie Fisher. \u201cLike, I did not set out to make a movie about young people. I set out to make a movie about how I was feeling and how the current culture feels to me. And then it felt like, you know what, the culture and the moment, I think it\u2019s being most purely experienced by kids. I think the country is functioning at an eighth grade level. You know what I mean? It feels like that, doesn\u2019t it? Doesn\u2019t the national conversation feel like an eighth grade conversation at best?\u201d<\/p>\n This perfectly explains the film in a way no words of mine could ever crystallize. There were elements of the film that felt like perfect situational adaptations of my own thought process today \u2013 watching that pool party scene felt like experiencing a modern day nightmare \u2013 but fundamentally, that the film was built on looking around and not understanding the world mattered most.<\/p>\n On a recent podcast, James and I discussed Akira Kurosawa\u2019s 1950 film Rashomon. This is a film where truth is in question at all times, as a dead man tells his own story through a medium, and even as the end credits roll what truly happened is left unclear. James mentioned in passing during our conversation that he thinks there is an objective truth, which I agreed with before we moved on. I (of course) believe in the concept of an objective truth because to not do so would fill me with more existential malaise than even a Walker Percy fan can stomach. That said, what I regretted mentioning was that the existence of an objective truth doesn\u2019t matter if nobody can agree on what that specific truth is. If a tree falls in a forest but nobody believes in evolution, does it make a sound?<\/p>\n