Alex writes about Battle of the Sexes and Brad’s Status.<\/em><\/p>\n <\/a><\/p>\n To say that I was mildly perturbed while watching Battle of the Sexes is an understatement. This was a movie featuring countless actors I thoroughly enjoy, it was a story about a real life figure I already find interesting, and it was a film written and directed by a pair of filmmakers whose previous work is one of my favourite films of the decade. I was fully in the tank for Battle of the Sexes before the screening ever began. And then characters kept turning almost directly at the camera and shouting the themes of the movie at me. Again, I was more than mildly perturbed.<\/p>\n To say I truly hated Battle of the Sexes would be untrue; Emma Stone is fantastic in it, Steve Carrell is even better, and any moment when Natalie Morales and Howard Cosell were on screen together was fantastic. Fred Armisen turns a simple arm massage into a truly hilarious moment. But this movie just could not stop telling me what to think, and all of my annoyance was compounded by the fact that directors Jonathan Dayton and Valerie Faris let me figure the same things out for myself in 2012.<\/p>\n I have written about Dayton & Faris\u2019 previous outing – Ruby Sparks – before on this site, but that was five years ago (and has been scrubbed from the internet because it had a mildly negative effect on my personal life). As a refresher, here is what that movie was about: a male writer creating a woman in his book who then comes to life, and then that man tries to tell that woman what to think as they enter a relationship together. The climax of the movie, featuring the most exciting shots of a typewriter since All the President\u2019s Men, depicts said writer realizing that holding these beliefs is problematic. So, he actively sets out to wipe them from his mind. And if this sounds like a generalization, know that it is; the movie never tells you any of these things, it merely shows them to you and leaves you to sort out the rest.<\/p>\n Written by Zoe Kazan and expertly directed by Dayon & Faris, the movie is funny, engaging, and deeply criticizes the archetype of the male writer (and males in general) as well as the concept of the manic pixie dream girl (and perception of women in general). In short, it is fucking fantastic. I would call it a forgotten classic, but a film has to be remembered to be forgotten, and nobody seemed to want to dedicate the necessary headspace to Ruby Sparks. Perhaps that\u2019s why Dayton & Faris, when finally given a chance to make another film, decided they wanted to yell their points at us. Perhaps this way they could be heard.<\/p>\n