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{"id":1584,"date":"2011-08-08T04:42:14","date_gmt":"2011-08-08T04:42:14","guid":{"rendered":"http:\/\/themacguffinmen.com\/?p=1584"},"modified":"2011-08-08T04:42:14","modified_gmt":"2011-08-08T04:42:14","slug":"live-blog-of-punishment-daredevil-2003-part-two","status":"publish","type":"post","link":"http:\/\/themacguffinmen.com\/2011\/08\/08\/live-blog-of-punishment-daredevil-2003-part-two\/","title":{"rendered":"Live Blog of Punishment: Daredevil (2003) – Part Two"},"content":{"rendered":"

Travis returns from a much-needed bathroom break, cracks another one open and resumes his live-blog of the 2003 Daredevil movie. The following has been edited for coherence, but retains the writers’ original vision of the post.<\/em><\/p>\n

In case you missed the first part, you can check it out here<\/a>.<\/em><\/p>\n

01:05:51 \u2013 I am a SUCKER for superheroes getting caught doing violence in front of kids. It\u2019s the kind of situation that illustrates just how far outside the margins these people work in. \u201cI\u2019m not the bad guy, kid.\u201d Does he even believe it?<\/p>\n

01:07:00 – Matt retreats to the cathedral from the beginning of the movie. During a conversation with the priest, he senses a train and visualizes it running through the church. I\u2019m not entirely sure if this is supposed to have a secondary meaning to it, and if so, what that could possibly be. Bah-bah-bah-beer-beer-beer-beer…<\/p>\n

01:08:00 \u2013 Karen Page! She\u2019s important in the comics. I promise I\u2019ll write something about it that explains her significance.<\/p>\n

01:12:00 \u2013 Matt and Foggy meet the Kingpin, as Matt refuses to consult for his firm on the grounds that, \u201cWe only defend those that are innocent,\u201d to which the Kingpin replies, \u201cNobody is innocent.\u201d Again, Matt\u2019s life of extremes makes him a compelling character to watch \u2013 although difficult to agree with. As the main protagonist in a superhero movie, this is a rarity. Matt is not a child who is coming of age (Spider-Man), or pseudo-omniscient being whose methods we implicitly trust (Superman, Batman). He is a grown man with an extremely flawed view of the world, struggling to maintain some kind of integrity that I\u2019m not even sure can exist in the modern world. In the case of some of the sneering thugs from earlier in the film he may be right (re: their innocence), but I think the Kingpin has a point here on the ambiguity of the situation.<\/p>\n

\"\"

"Ass to ass."<\/p><\/div>\n

INTERMISSION<\/strong> – As I continue to watch it, I\u2019m finding that this movie\u2019s strengths are in smaller scenes and short bits of dialogue that are just buried underneath a million action-movie clich\u00e9s. There\u2019s more world building than I had remembered, and I\u2019m now very drawn into the ideas and scenes surrounding Hell\u2019s Kitchen. Things like boxing and organized crime. I don\u2019t really buy the love story in this form, and I think that there\u2019s maybe just a tiny bit too much going on in the plot to develop it completely. There are little hints of insight into these characters that have been snuck in, it seems, at the expense of creating an action-movie\/love-story hybrid that doesn\u2019t entirely work as either one of those two things.<\/em><\/p>\n

INTERMISSION 2<\/strong> \u2013 Okay, I tried to do alternate casting for a do-over of this movie, and all I could come up with was Mila Kunis (or Emily Blunt) as Elektra and Steve Buscemi as Ben Urich. I\u2019m terrible at that game. And has Steve Buscemi ever played a down-on-his-luck metropolitan reporter before? I feel like this is something he could do well.<\/em><\/p>\n

01:18:00 \u2013 Jesus, if there is anything I would change about this movie it would be the soundtrack. No Evanescence yet, but I\u2019m still braced for its terribleness.<\/p>\n

01:20:00 \u2013 Bullseye killing someone with Daredevil\u2019s billy-club works similarly in the comics. Irrational Catholic guilt +10 for Daredevil. Also, if the death of Elektra\u2019s father is supposed to be so important, they should have built up their father\/daughter relationship more.<\/p>\n

01:22:00 \u2013 Matt trashes the Daredevil-cave.<\/p>\n

01:23:00 \u2013 Kingpin\u2019s security-guard turnover must be about 24 hours per guard due to brutal in-house murders. As well, his use of the term ‘Man Without Fear’ is kind of unearned, since he\u2019s never really met Daredevil. As far as arch-nemeses go, this is kind of impersonal. AND: As per my previous pro-camp statement on Bullseye, \u201cI want a fuckin\u2019 costume\u201d is a line that works more than I thought it would.<\/p>\n

01:24:10 – After Coolio testifies \u201cI was so high, I can\u2019t remember anything\u201d (I am absolutely serious, he says these words in a courtroom in this movie), I was really expecting the song \u201cBecause I Got High\u201d<\/a> to start playing at full volume. Coolio\u2019s testimony, and Foggy thumbing through a stack of legal briefs in Braille would make an amazing video remix of that song.<\/p>\n

\"\"<\/a>

"Smoking weed, mostly." -Dante Jackson<\/p><\/div>\n

Coolio clarifies: \u201cSmoking weed, mostly.\u201d From what I can tell, the theatrical cut mostly suffered from decreased hilarity.<\/p>\n

01:26:14 \u2013 ENTER EVANESCENCE! Although not the song I expected. Some piano ballad at Elektra\u2019s father\u2019s funeral. Elektra is making the rounds, starting with Matt Murdock, telling (presumably) everyone that they don\u2019t understand how it feels because she is the first person in the world to ever be orphaned ever. She puts up an umbrella as the rain starts to fall (CALLBACK WHAT-WHAT), so that Matt can\u2019t see her, representing Matt not seeing her emotionally. [Sober edit: University students! Drunk Travis will edit your papers for $30 a pop!<\/a>]<\/em><\/p>\n

01:33:43 \u2013 ENTER KEVIN SMITH YOU LITTLE BITCHES. Guy looks thinner than I thought he would be, and seems really excited to be at the morgue discovering Daredevil\u2019s super weapons.<\/p>\n

01:35:00 \u2013 ENTER EVANESCENCE AGAIN!<\/a>\u00a0This time the song I know, over Elektra\u2019s training sequence. I still don\u2019t really buy it \u2013 it may just be that I don\u2019t care for training<\/a> and gearing-up<\/a> montages. This is some truly ridiculous shit, with Elektra slicing open some sand-bags all over her dead father\u2019s beautiful hardwood floor. I fear for the movie from this point on.<\/p>\n

01:37:00 \u2013 I don\u2019t really even like the overdone brass for Daredevil\u2019s \u201crooftop\u201d music. It feels like it has been done before, but better. If The Dark Knight taught me anything, it\u2019s that film music in action flicks should be texturally diverse \u2013 that is, the music should be done with different arrangements to suit the mood of the flick. Sherlock Holmes did this brilliantly<\/a>, and I think a boring score is one of Daredevil\u2019s weaknesses.<\/p>\n

01:38:00 \u2013 I know that Elektra\u2019s post-fall fight scene with Daredevil is supposed to be a callback to that terrible playground scene, but there isn\u2019t really anything that indicates that visually. The acting takes a turn for the worse here. Also, who in New York\u2019s ghettoes hangs their laundry out to dry overnight? I don\u2019t even think I would do that in any of the tame Canadian cities I\u2019ve lived in.<\/p>\n

01:40:00 \u2013 Elektra unmasking Daredevil shouldn\u2019t make her immediately regret stabbing him. I want her to be more of a moral hard-liner, continuing her grudge with Matt Murdock. Bullseye enters, and I realize that there is a lot of stabbing in this movie.<\/p>\n

01:42:00 \u2013 Although the FX in this whole scene look pretty rough, Bullseye killing Elektra with her own Sai is an iconic moment in the comics. Drawn by Frank Miller, the visual of a featured woman getting stabbed through her torso was considered over-the-top at the time (not to mention violently sexual), and is still considered a turning point for Daredevil, leading to some very dark places in the years to come.<\/p>\n

01:42:50 \u2013 Holy crap the Police Helicopter pilot is JFK<\/a>. \u201cPut-ah yoah hands on yoah head.\u201d Hot-Cops<\/a> storm the roof, and we\u2019re back at the beginning of the movie with Daredevil in the Cathedral.<\/p>\n

01:48:50 \u2013 DD backflipping to avoid a few dozen glass-shards being thrown at him by Bullseye doesn\u2019t make sense. It happens all the time in these movies (see Spider-Man). I worry about children that will grow up thinking this will shield them from harm. KIDS: Backflips do not make you invincible.<\/p>\n

01:50:50 \u2013 A rooftop sniper shoots Bullseye through the hands. Don\u2019t they have to have a decent shot before firing? How does this cop see through the stain-glass of the Cathedral? When will we hear the end of Daredevil\u2019s shitty musical theme? Bullseye gets thrown through a roof, as Dardevil leaves to take down the newly-discovered Kingpin.<\/p>\n

\"\"<\/a>

"Hey! said my name is called disturbance \/ I'll shout and scream, I'll kill the king, I'll rail at all his servants"<\/p><\/div>\n

01:52:10 \u2013 On why the Kingpin would fight DD with his bare-hands: \u201cI was raised in the Bronx, Wesley. This is something you wouldn\u2019t understand.\u201d I feel with a bit more build-up, this is a line that could have worked significantly better.<\/p>\n

01:52:40 \u2013 Ben Urich is like Alexander Knox in Batman \u201989. The unsung hero of the film. Ben is a fantastic and well-utilized character in Brian Michael Bendis\u2019 run on Daredevil, and I highly recommend you all buy it with your moneycards.<\/p>\n

01:54:13 \u2013 Daredevil enters Kingpin\u2019s office, looking about 4-feet tall compared to our giant antagonist. It\u2019s kind of a cartoonish fight, but one with (thankfully) less of an emphasis on gymnastics than the previous one. I\u2019m half expecting a visual flashback to Matt\u2019s boxer father before the end.<\/p>\n

01:55:50 \u2013 Jesus, everyone in this movie rips of Daredevil\u2019s mask. Even Kevin Smith. \u201cYou\u2019re that blind-lawyer, and shit…\u201d<\/p>\n

01:57:30 \u2013 Matt decides to show mercy to the Kingpin, something that many superhero movies hadn\u2019t dealt with before this. The Batman of the 1990s is an unrepentant killer. Supervillains often fell victim to ‘accidental’ deaths in other films, relieving their heroes of the choice to kill or spare their foes (Spider-Man comes to mind). Matt Murdock making a choice to leave the Kingpin alive despite an obvious advantage shows the conclusion of his arc: \u201cI\u2019m not the bad guy.\u201d I found this refreshing at the time.<\/p>\n

01:58:50 \u2013 \u201cYeah? Go ahead, tell the guys at Rikers how you got beat by a blind man. It\u2019d be like blood in the water.\u201d This is kind of great, and a little cathartic for the audience watching good people get trampled on for two hours.<\/p>\n

2:00:10 \u2013 Daredevil throws down a rose where his father died. Coolio is released and hugs Favreau. Matt remembers Elektra in the Coffee Shop. Ben Urich finally confronts Matt Murdock about Daredevil. The Kingpin is in jail and Bullseye is paralysed. If you\u2019ve read this far you shouldn\u2019t care about spoilers.<\/p>\n

2:03:00 \u2013 Matt\u2019s inner monologue teaches us that, “The battle of Good versus Evil is never-ending, because Evil always survives with the help of Evil Men.\u201d Even at the conclusion of the film, Matt Murdock has something to say that I consider mildly disturbing. Hasn\u2019t Matt himself done enough damage as well? What about the costs that good men incur on society \u2013 Bullseye\u2019s paralysis, defrauding the Justice system, and even the unmentioned disruption of Kingpin\u2019s legitimate businesses? People gotta eat! This is a film that brings these questions to the table and refuses to answer them, or really even tease them out to a satisfactory point. I don\u2019t believe that the amount of subplots and\/or characters contributed to the film being over-stuffed, but this is a movie that could\u2019ve benefited greatly from taking those moral questions a step or two further.<\/p>\n

02:05:00 \u2013 Matt finds jewellery he recognizes from Elektra \u2013 in Braille! Their secret language!<\/p>\n

02:06:00 \u2013 Ben Urich\u2019s decision to leave Daredevil\u2019s identity anonymous seems unearned as well. I believe their relationship needed more work. Other than the one victory Daredevil seemed to afford the city (The Kingpin and Bullseye in jail), I\u2019m not convinced that Urich would retract his story on Daredevil\u2019s true identity based on that alone.<\/p>\n

02:06:44 \u2013 And cue Evanescene for the outro. I think. I dunno, a lot of these bands sound similar.<\/p>\n

02:06:50 \u2013 Oh, this is Fuel. I have two of their CDs. Speaking of which, does anyone want to buy two Fuel CDs for $1?<\/p>\n

CONCLUSION<\/strong>: I think that \u201cDaredevil\u201d has always had great potential on the silver screen. As previously mentioned, Matt Murdock is a fascinating character of great conviction (and contradiction) whose actions raise a number of moral and ethical questions \u2013 At what point can a member of society break the law and remain a part of it, or an administrator of it? Is Matt a liar for swearing by the law and acting as Daredevil by night? What level of moral relativism and ambiguity can we accept in society? Highlight the next invisible line of text for the answers!A)\u00a0\u00a0\u00a0\u00a0 Anytime. B) No, he\u2019s just an asshole. C) None! Break out your billy-clubs everybody, and meet me on the rooftops!<\/span><\/p>\n

There was some dynamite casting in this movie, whose only sins were that they were given occasionally mediocre material. I honestly can\u2019t think of anyone else to play Foggy Nelson other than Favreau, and I believe that Farrell\u2019s depthless Bullseye is mostly misunderstood. Affleck did alright, although I feel like he and Jennifer Garner were the weak links in the ensemble.<\/p>\n

I worry that a rebooted version would lose some of the light charm that the supporting cast brought. Matt\u2019s life in comic-book form is no picnic, and one has to wonder if summertime theatre-goers would have the stomach for a straight up adaptation of something like \u201cBorn Again\u201d or \u201cThe Man Without Fear.\u201d I realize that I am referring to source material that many are not familiar with, so I will likely write some analysis on a few key Daredevil comics in the near future. Daredevil books have over the years attracted some top-tier talent, so I can say with certainty that the number of five-star stories about Matt Murdock are not in short-supply.<\/p>\n

\"\"<\/p>\n

Go read some damn comics now, fools.<\/p>\n","protected":false},"excerpt":{"rendered":"

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