in predictable fashion<\/a>. This started the Twitter version of a bandwagon, with other artists and regular people chiming in with how offensive these lyrics may or may not be. And as much as I love Walking With a Ghost, I\u2019m not exactly on Tegan & Sara\u2019s side.<\/p>\nI\u2019m surprisingly conservative when it comes to lyrical content; while I don\u2019t think anybody killed their mother because Eminem told them to, I don\u2019t think the existence of those lyrics really helps anything. I am generally a fan of Eminem, but those lyrics just tend to steer me to his better songs, ones where I\u2019m actually interested in the lyrical content. But I always understood the reason for the backlash behind his lyrics, even though the peak of Eminem protesting happened when I was 14. Anybody protesting Odd Future\u2019s work, however, is kind of confusing to me.<\/p>\n
When Eminem concerts were being picketed by groups like GLAAD, they were being picketed not because of Eminem\u2019s lyrics, but because he sold 3.5 million copies of The Marshall Mathers LP in a month. This guy was so huge that he was selling NSYNC numbers. And with such astronomical sales numbers, Eminem attained a wide variety of listeners, listeners that span a wide breadth of, um, how do I say this\u2026 intelligence. Since there were so many people listening to Eminem, he was bound to have some stupid, crazy fans that might be stupid and crazy enough to act out the conclusion to Stan. Odd Future\u2019s own listeners are harder to track, as record sales are increasingly becoming an obsolete way to tell how popular music is now, but the most-hyped release from an Odd Future member was Goblin, a record that has yet to surpass 100 000 in sales. Goblin is a record on an independent label, so this is a pretty high-selling album by those standards, but the point is that these are only high sales for an independent.<\/p>\n
When one meets a fan of Odd Future, they are typically meeting a vaguely intelligent, media-savvy person. As somebody who fits both of those criteria (albeit more the latter than the former), I can say that we are not the type of people who respond to these lyrics with any sort of seriousness. We are people who hate Gossip Girl, unless of course you\u2019re ironically a fan of the way Ed Westwick mumbles all of his lines, in which case I\u2019ll crack an Old Milly and join in. We\u2019re idiots, but we\u2019re conscious of our idiocy. And it is this consciousness that detracts significantly from any sort of danger Odd Future\u2019s lyrics might have. If Tyler, the Creator were to sell a million records, then maybe I would be more concerned, but as of now I don\u2019t think people like Tegan & Sara need to worry about that happening.<\/p>\n
Last weekend, the Pitchfork Music Festival was held in Chicago, with Odd Future on the list of performers. Protesters showed up as well, apparently to protest Odd Future\u2019s performance, but they were actually invited inside the gates of the festival and given a space to spread their message. By that point, they had stopped being Odd Future protesters, instead focusing on the oddly broad message that rape and violence are bad for society. Protesters tend to be loudly stubborn groups of people, but even these guys know that Odd Future isn\u2019t really that bad for society. Their fans already know precisely why Odd Future\u2019s lyrics are bad; they don\u2019t need anybody explaining it to them. The mere fact that the buzz surrounding the collective has died down so quickly since Tyler\u2019s album release merely proves that nobody needs to worry. They\u2019ll be around for a while, even if it\u2019s just Frank Ocean singing hooks for Jay-Z or Tyler producing for Pusha T, but they\u2019ll likely never be famous enough for these misogynistic lyrics to really be a problem.<\/p>\n
Is rape good? Obviously not. Violence? Nope. Odd Future? It hardly matters. They\u2019re not threatening enough to need to be in the same conversation.<\/p>\n","protected":false},"excerpt":{"rendered":"
Alex gives us his take on the uproar about Odd Future Wolfgang Kill Em All.<\/p>\n","protected":false},"author":2,"featured_media":1412,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[184],"tags":[268],"_links":{"self":[{"href":"http:\/\/themacguffinmen.com\/wp-json\/wp\/v2\/posts\/1410"}],"collection":[{"href":"http:\/\/themacguffinmen.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/themacguffinmen.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/themacguffinmen.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/themacguffinmen.com\/wp-json\/wp\/v2\/comments?post=1410"}],"version-history":[{"count":5,"href":"http:\/\/themacguffinmen.com\/wp-json\/wp\/v2\/posts\/1410\/revisions"}],"predecessor-version":[{"id":1417,"href":"http:\/\/themacguffinmen.com\/wp-json\/wp\/v2\/posts\/1410\/revisions\/1417"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/themacguffinmen.com\/wp-json\/wp\/v2\/media\/1412"}],"wp:attachment":[{"href":"http:\/\/themacguffinmen.com\/wp-json\/wp\/v2\/media?parent=1410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/themacguffinmen.com\/wp-json\/wp\/v2\/categories?post=1410"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/themacguffinmen.com\/wp-json\/wp\/v2\/tags?post=1410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}